This report has been produced in response to the task set in Research Skills 2 to research a topic under the banner of “The History of Books, Libraries and Communication”.
‘Moments in Australian Publishing’ is not intended to be a chronological study of all book publishing in Australia by Australian publishers. Instead, the intent of the research was to look at what prompted the emergence of independence, what threatened or threatens it, who were and are some of the agents of change, what is happening today and what does the future hold?
Putting it in perspective
Historically, Australia was a lucrative colonial marketplace for British book publishing and booksellers. Today, Australia is still a relatively small marketplace for books in English, and is dominated by the huge British, American and trans-global publishing houses. It is only in educational book publishing that Australian publishers have been truly profitable.
A Tarrif Board inquiry into the Australian publishing industry, conducted in 1945-6, concluded ‘ High grade Australian work can and does find a ready market, not only in Australia but also in other parts of the world’.
Educational publishing did expand post World War 11 but other publishing was not strong enough to be viable and independent.
Australian Pride
In the 1960s the beginnings of an Australian creative landscape were starting to form. Patrick White and Manning Clark were published and received favorable reviews. Composer Peter Sculthorpe returned from England to compose great works, the Australian Ballet Company was formed and universities started to teach Australian literature. Allen Lane, founder of Penguin Publishing England said in 1961:
‘My own feeling is that Australia is about to emerge, speaking from a publishing point of view, into a creative phase in place of an absorbent one’.
The FW Cheshire bookshop in Melbourne was well stocked in Australian books. The company supported such authors as Alan Marshall and Robin Boyd. By 1969 Penguin Australia had published 27 books by Australians.
Change
In the 1970’s there was a greater sense of nationalism and rapid growth in Australian publishing. Independent publishers such as McPhee Gribble, Lonely Planet and Outback Press were emerging pacesetters. Many changes were occurring in society, politics, technology and travel. Now more confident about its place in the world, the Australian identity was being reflected in the books written and published by Australians.
The voices of young writers were being heard via Currency Press. One writer was David Williamson whose works include The Removalist, Don’s Party and The Club. His plays reflected the changes in society and politics and they were seen on the stage and screen.
Image from Homesick.com.au
'Our literary culture has been shaped by our history, our luck, our misfortune, our connections to the past and our visions of the future. … Writing and reading have blossomed over time, and we are less inclined to fear how our literary culture compares to those overseas. Indeed, we have established our own identity, a desire to communicate this to the world and the ability to do so. We have turned from importers of culture to exporters.’
State Library Exhibition “The Independent Type” 2009.
For the Australian publishing industry, the 1970’s became a global era. Gough Whitlam’s government offered grants for Australian publishers. There were about 40 Australian publishers in the early 70’s, not all lasted the distance.
Paperbacks were beginning to be published. British publishing companies were starting to concentrate efforts on Australian publishing programs. ‘Australian Penguins’ now became just ‘Penguins’ and Australian children’s books and fiction were being published by Collins.
Seeds of Success
'Like the bush banana, our organisation spreads the seeds of Aboriginal, Torres Strait Islander and South Sea Islander cultures, publishing and promoting Indigenous literature in Australia and throughout the world'.
Magabala is an independent corporation that was established to record, promote and pass on Aboriginal traditions and culture in book form. Formed in 1987, it is the oldest independent Indigenous publishing house. Magabala produces books across a range of genres.
Bush banana image courtesy www.aboriginalartstore.com.au
The Lonely Planet phenomenon
Maureen and Tony Wheeler arrived in Sydney in 1972 after travelling across Asia with 27 cents between them. People were constantly asking them how they did it and shortly after they decided to put together a guidebook and publish it themselves.
The notes were handwritten and typed on a borrowed typewriter at a kitchen table. The first Lonely Planet guide was called Across Asia on the Cheap, the first print was 1500 copies and they initially sold several hundred copies at Angus & Robertson.
Image from The Lonely Planet Collection University of Melbourne
Lonely Planet was an early adopter of technology and switched to using computers in the early 1980’s. In 1988 they moved to desktop publishing and started to draw maps with computer software. Wishing to get into the American market they were told “It hasn’t worked for anyone else, why should it work for you?’”
In 1993 Lonely Planet were approached by Microsoft about producing a digital version of their guidebooks. Today, they are the world’s biggest travel guide publisher. They moved travel publishing online via www.lonelyplanet.com which has become one of the most popular travel websites in the world. There is also a travel TV production company and a digital photo library.
Other stories
McPhee Gribble
This independent publisher nurtured young Australian writers from the mid 1970’s. Kathy Lette, Helen Garner, Kaz Cooke, and Tim Winton are some of the authors with a distinctive Australian voice, published by a company that wanted to be an international company, but eventually sold to Penguin in 1989.
Scribe Publications
An independent Australian book publishing company established in 1976 by Henry Rosenbloom, Scribe publishes about 70 books a year. He is a forthright and fierce supporter of Australian writers, content and territorial copyright.
Allen & Unwin
Originally a British company that began publishing in Australia in 1974, now Australian owned since 1990, Allen & Unwin publishes annually about 250 fiction, non fiction, academic, professional titles as well as books for children and young adults.
Today and the future
There are small, medium and large Australian publishing companies. More than 60 % of the books bought in Australia, originate in Australia but we import more books than we export. Moreover, Australian writers are becoming bestsellers overseas and winning prestigious awards.
A look into the history of books, communication, libraries and publishing cannot be complete without mentioning the ‘E’ word.
E Ink - E book - E Reader - E publishing - M book - Self Publishing - Publishing Online - Print on Demand
Photo courtesy of www.thecreativepenn.com
Google “self publishing” and there is a plethora of websites offering advice on how to self publish books and online content. It is estimated that there exists 100 million blogs online. An author in the United States published his novel on Twitter.
I have a serialized novel delivered to my iphone at 7am each morning – an M book. You can purchase “Twitter Secrets For Your Business” Ebook right now on the internet.
BookPOD provides authors who are self publishing their book printed in three days. Angus and Robertson has installed a Espresso Book Machine that prints a paperback on demand in minutes. Dymocks stocks 130,000 e-books.
When its all said and done, they are still books aren’t they?
Photo courtesy www.asaauthors.org
Bibliography
Munro, C & Sheahan-Bright, 2006, Paper Empires: A history of the book in Australia 1946-2005, University of Queensland Press, St. Lucia, Queensland.
McPhee, H 2001, Other people’s words, Pan McMillian, Sydney.
Education Resource 2009, State Library of Victoria, viewed 1 September, 2009,
http://www.slv.vic.gov.au/pdfs/programs/it-education-resource.pdf
Wheeler, M & T 2005, Once while travelling, Penguin, Camberwell, Vic.
Whitton, R 2007, The Australian Writer’s Marketplace, Quensland Writers Centre, Brisbane.
Magabala 2006, Magabala, viewed 31 October, 2009,
http://www.magabala.com/.
Spunc 2009, Spunc, viewed 3 September, 2009,
http://spunc.com.au/.
Scribe 2009, Scribe, viewed 9 September 2009,
http://www.scribepublications.com.au/.
Allen @ Unwin 2009, viewed 12 September 2009,
http://www.allenandunwin.com/.
Wednesday, October 14, 2009
Wednesday, October 7, 2009
Reflection
Unless you're willing to have a go, fail miserably, and have another go, success won't happen.
Phillip Adams
After my experience with Dreamweaver last semester I was a bit apprehensive about creating a blog. Fast forward a couple of months and I have had so much fun and learnt so much researching my topic and Web 2.0.
There wasn't a part of the process I didn't enjoy (except losing some notes) and found myself fully immersed for hours on end. There was a whole other world out there that kept expanding the further I delved into it.
I enjoyed the collaborative nature of blogging, reading other students' blogs, finding blogs by the library community, sharing discoveries and the process of linking my research with the blog.
I can see that I would use blogs and Web 2.0 in the future in a professional capacity. As a convert, I have even managed to convince a couple of friends that blogs are what they need for their business ventures.
Phillip Adams
After my experience with Dreamweaver last semester I was a bit apprehensive about creating a blog. Fast forward a couple of months and I have had so much fun and learnt so much researching my topic and Web 2.0.
There wasn't a part of the process I didn't enjoy (except losing some notes) and found myself fully immersed for hours on end. There was a whole other world out there that kept expanding the further I delved into it.
I enjoyed the collaborative nature of blogging, reading other students' blogs, finding blogs by the library community, sharing discoveries and the process of linking my research with the blog.
I can see that I would use blogs and Web 2.0 in the future in a professional capacity. As a convert, I have even managed to convince a couple of friends that blogs are what they need for their business ventures.
Tuesday, October 6, 2009
Setback and Discovery
I'm not sure how this happened but I managed to lose some of my research notes. It could have been during the time a plague of locusts invaded my house in the form of several of my son's friends. Or it could have been during a spot of frenzied spring cleaning on my part. Nevertheless, I needed to repeat some of my research.
I happened to be browsing the bookshelves belonging to the mother of one of my son's friends and I came upon a copy of "Paper Empires: a History of the Book in Australia 1946-2005". A valuable resource that provides me with some detailed information about the history of writers, booksellers, publishers and readers in Australia. It makes up for some of the lost notes.
Of particular interest to me is the chapter titled "Into the Global Era". A period in Australia's publishing history as the State Library of Victoria's exhibition The Independent Type describes it: " we have turned from importers of culture to exporters".
The chapter includes information about some of the publishers I had intended to research, including Allen & Unwin, McPhee Gribble, Magabala Books and Text Publishing.
I read "Other People's Words" by Hilary McPhee, one half of McPhee Gribble. It chronicles the story of the publishing house that was between 1975 and 1989 a company that nurtured and published works of Australian writers that greatly contributed to our culture. Some of those authors included Kathy Lette and Gabrielle Carey, Helen Garner, Tim Winton and Kaz Cooke.
I happened to be browsing the bookshelves belonging to the mother of one of my son's friends and I came upon a copy of "Paper Empires: a History of the Book in Australia 1946-2005". A valuable resource that provides me with some detailed information about the history of writers, booksellers, publishers and readers in Australia. It makes up for some of the lost notes.
Of particular interest to me is the chapter titled "Into the Global Era". A period in Australia's publishing history as the State Library of Victoria's exhibition The Independent Type describes it: " we have turned from importers of culture to exporters".
The chapter includes information about some of the publishers I had intended to research, including Allen & Unwin, McPhee Gribble, Magabala Books and Text Publishing.
I read "Other People's Words" by Hilary McPhee, one half of McPhee Gribble. It chronicles the story of the publishing house that was between 1975 and 1989 a company that nurtured and published works of Australian writers that greatly contributed to our culture. Some of those authors included Kathy Lette and Gabrielle Carey, Helen Garner, Tim Winton and Kaz Cooke.
Tuesday, September 15, 2009
Fave Web 2.0 Awards Site
BBCiplayer would be my favourite if only it worked. The site claims that you can get your fix of British TV if you don't live in Britain, however when selected, you are told that programs are only available to play in Britain.
I settle for BBCi player for the wondrous radio Channel 4 and listen to a program featuring one of my favourite English actors Bill Nighy.
My other favourite is craigslist. I get lost in the Manhattan vacation rental site, day dreaming of holidaying in New York, staying in a loft apartment after a day of shopping, visiting museums and galleries and indulging in great food and bar hopping.
I settle for BBCi player for the wondrous radio Channel 4 and listen to a program featuring one of my favourite English actors Bill Nighy.
My other favourite is craigslist. I get lost in the Manhattan vacation rental site, day dreaming of holidaying in New York, staying in a loft apartment after a day of shopping, visiting museums and galleries and indulging in great food and bar hopping.
Thursday, September 10, 2009
Wordle
Have a look at this fun gadget and try some wordles yourself!
http://www.wordle.net/.
cc Creative Commons
The Lonely Planet Story
I was thinking about how I would go about researching the Lonely Planet publications and realised that if I searched on "The Lonely Planet" I would get a result list about as long as the circumference of the planet. So I started looking on YouTube for some video and found this:
I also found a reference to "Once while travelling: the lonely planet story" by Tony and Maureen Wheeler. So off I raced to my local library and borrowed a copy. What more could I need for my research material than their own story?
The company was called The Lonely Planet after Tony misheard a line in a Joe Cocker song about the "lovely planet".
I found a couple of reviews of the book in The LibraryThing http://www.librarything.com/work/2472390
Although the title is different in America. Cue spooky music.
I also found a reference to "Once while travelling: the lonely planet story" by Tony and Maureen Wheeler. So off I raced to my local library and borrowed a copy. What more could I need for my research material than their own story?
The company was called The Lonely Planet after Tony misheard a line in a Joe Cocker song about the "lovely planet".
I found a couple of reviews of the book in The LibraryThing http://www.librarything.com/work/2472390
Although the title is different in America. Cue spooky music.
Wednesday, September 9, 2009
Power Without Glory
The Independent Type exhibition at the State Library of Victoria mentions the literary "rascal" novelist Frank Hardy. This sparks my curiosity.
I know he wrote Power Without Glory, was a communist and his granddaughter is Marieke Hardy whose articles, TV and radio appearances I enjoy (and we have something in common - we share an admiration for all things Matt Preston).
What was his involvement in independent publishing?
I spent two mornings researching and after some frustration find some very useful material.
I learn about a fascinating time in Melbourne's political and social history and the answer to why Frank Hardy self published.
One resource I found via Ebsco at Swinburne library, a detailed article from Trinity College, Melbourne University, another from the La Trobe Journal and the illustration above is from a Monash University exhibition. I must admit at one point I resorted to using Google as my searches via Swinburne and the State Library failed to find anything useful for my needs. More later...
Photo courtesy of Monash University Library 2005 Exhibition "Communism"
Monday, September 7, 2009
ALIA's position on Territorial Copyright
I thought I would provide you with another perspective to this debate in the form of ALIA's position. http://www.alia.org.au/advocacy/copyright/your.ques.answered.html
What are your thoughts?
Tuesday, September 1, 2009
Australian Territorial Copyright
There is much concern amongst writers, readers, publishers and booksellers in Australia at the moment due to the Government's Productivity Commission recommendation that Territorial copyright established under the Copyright Act in 1991 be abolished.
What does this mean?
"As a direct result of the introduction of the 30/90-day rule in 1991, Australian publishing has grown into a strong and vibrant industry — and it keeps growing.
This vibrant market allows publishers to make long-term investments in authors — to identify them, foster their development, publish their books and promote them individually. In the last 17 years, Australia has produced a number of world-class authors as a direct result of this certainty in investment by publishers, and the knowledge by authors that if their books are successful they will receive appropriate royalties.
Australian books are the last bastion of our unique culture — our books have Australian language, spelling and illustrations. This is particularly important in children’s book publishing — who wants to read about mom, sidewalks, diapers or dialing 911 instead of 000 for emergencies?
As one of the largest English speaking book markets in the world, we need territorial copyright in order to play on a level field with the big two (US and UK). Without territorial copyright we will wither.
There is no reason to give this industry away, and not a single benefit from doing so. The Australian publishing industry is an employer, and exporter and a key protector of our culture – at a time when the economy is tightening, the industry is united in its efforts to keep Australian books."
This vibrant market allows publishers to make long-term investments in authors — to identify them, foster their development, publish their books and promote them individually. In the last 17 years, Australia has produced a number of world-class authors as a direct result of this certainty in investment by publishers, and the knowledge by authors that if their books are successful they will receive appropriate royalties.
Australian books are the last bastion of our unique culture — our books have Australian language, spelling and illustrations. This is particularly important in children’s book publishing — who wants to read about mom, sidewalks, diapers or dialing 911 instead of 000 for emergencies?
As one of the largest English speaking book markets in the world, we need territorial copyright in order to play on a level field with the big two (US and UK). Without territorial copyright we will wither.
There is no reason to give this industry away, and not a single benefit from doing so. The Australian publishing industry is an employer, and exporter and a key protector of our culture – at a time when the economy is tightening, the industry is united in its efforts to keep Australian books."
Australians for Australian Books
What do you think?
Sunday, August 23, 2009
Serendipity!
I step into the State Library to do some research and discover there is an exhibition called The Independent Type celebrating Victoria's rich and diverse written culture.
http://www.slv.vic.gov.au/programs/exhibitions/kmg/2009/independent-type/ You might want to take a look at this exhibition.
I decide to focus on those publishers whose work made a significant contribution to social and cultural change in Australia.
Saturday, August 22, 2009
Getting Started
I first decided that my research topic would be 'the history of publishing in Australia' and then realized how broad that topic was. It could involve book, newspaper, internet and zine publishing. So instead, I intend to dip in and out of history and look at aspects of independent Australian book publishing.
Where to start? I listen to The Book Show on Radio National when I can and remembered the names of a few Australian publishers mentioned - Text and Blank Inc. Books for instance. Who are the publishers of Aussie books I have recently read? The Slap - Allen& Unwin. Handmade in Melbourne - Geoff Slattery Publishing. Australia's Quarter Acre - The Miegunyah Press. I have about 20 Lonely Planet guides - I musn't forget them. My bookshelves are testimony to the diversity and strength of Australian publishing.
OK, I have some names. Now what? I wander off to my local library and ask for some information on Australian publishers. I am deliberately vague as this is an exercise in observing customer service for another aspect of this research skills subject. After a bit of clarification, the library technician takes me to the reference section and hands me a copy of The Writer's Marketplace 2009-2010 which includes a list of publishing services in Australia. I'm impressed by her knowledge.
This list gets me thinking about the angle. What aspect of Australian publishing will I look into? There are lots of publishers, but what will be the glue that makes this project stick?
Picture courtesy of Fairfax Digital
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